Her practice combines a “take it easy" openness with structured, verb-led experimentation, exploring how everyday actions and tools shape visual communication. Working across typography, publication design, motion graphics, and interactive media, she creates participatory and performative systems that translate physical action into visual and collective experience.
GDUSA 2026 Students-To-Watch
2025
Graduate360°
Annual Graduation Design Award
2025
GDC Award 25
Young Award
2025
The 25th Platinum Originality International University Students Graphic Design Competition
Sliver Award, Excellence Award
2024
CGDA
Graphic Design Academy Award
Boston University | MFA Graphic Design
GPA 4.0
2020 - 2024
Kean University | BFA Graphic Design
GPA 3.9 (Graduation Honor, Dean's List)
Teaching Assistantship, Boston University
Branding Design, Sophomore Graphic Design
09/2024 - 05/2025
Design Assistant, Boston University
Tuesday Night Lectures Series: Designer
11/2024 - 05/2025
MFA 2025 Exhibition, Boston University
Web Design, Identity Design
09/2024 - 12/2024
Tissuerate Company
Branding Design
San Francisco, CA, USA
06/2022 - 09/2022
Edelman Public Relations Worldwide, Shanghai
Art Intern Creative
Urbanism\Architecture Bi-City Biennale (UABB), Shenzhen
2026
Presidential Address, Tsai Performance Center, Boston
2025
Multiple Formats Art Book Fair, Boston
i never read
2025
Building on this conceptual foundation, this rebranding project focuses on the shifting states of “read” within the context of the book fair. Linguistically, read remains unchanged in form across present, past, and future tense, yet its meaning is activated through time and context. Similarly, visitors to the fair move through distinct states—not yet read, reading, and having read—as they enter, engage with, and leave the exhibition space.
By aligning these temporal reading states with the unchanging form of the word read, the project treats time itself as the core branding structure. Rather than redesigning the fair as a static identity, the rebrand operates as a temporal system. In this way, the visual identity reflects reading not as a fixed action, but as an ongoing condition shaped by presence, duration, and experience.